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Compiled by Manny
Siverio
Vittico Pacheco "La Magia" Instructor, performer, choreographer, event host, Vittico is one of New York City's most experienced mambo instructors, with a very dedicated following. The review below was written 10 years ago. INSTRUCTOR REVIEW I recently (8/99) visited Vitticos class in the Bronx. Upon arriving at 2619 Sedgwick Avenue, I discovered that it was an apartment building. He has been at this present location for 1½ of the four years he has been teaching mambo (as of 6/99). I was told to walk down the side entrance alleyway which lead me to the buildings basement. Once down there, I followed the sound of salsa music to Vitticos actual Dance School. His school is in reality a decent size storage area which had been refurbished into a dance space. It was very clean and "Spartan" in appearance. The entire room had been freshly painted with white paint for the walls and battleship gray for the floor. The space was also equipped with some chairs, a few simple mirrors and a sound system. Like I said "Spartan" in appearance. But I use the word But I use the word "Spartan" with the utmost respect. The atmosphere of the school is very conducive to work and inspires discipline. People that go to Vittico have a no non-sense approach to learning mambo. They go there to work hard, learn from a good instructor and not for the esthetic look of the school (and believe me people get their moneys worth). I like to think of his students as "mambo gladiators". Vitticos class is broken down into two groups. The more advance students (intermediate level) are taught by Vittico, while the raw beginners are led by one of his assistants. The space provides a cement support column which acts as a natural divider between the two groups of students. The first half of the class centers on open floor shines (solo dancing), while the second half deals with partner work (turn patterns). Most of his students speak mainly Spanish, yet all of the shines are broken down in English (1,2,3-5,6,7). He leads his group in a very casual manner, yet maintains his role as task master. Shines are repeated and repeated until he is happy with the overall group performance. Shines are frequently reviewed one-at-a-time, back-to-back (one after the other) or in sequence (in combination). I noticed that everyone is required to count out loud when performing each step. This is Vitticos way of drilling his students. Its an excellent way for to force his students to remember how to break down a step (make them second nature), remember where they are in during the clave and show them how to get in and out of shine. During the turn pattern segment, Vittico again leads by counting out loud (the others count along with him), only stopping to give important pointers during key moments of the turn. He drills the hell out of a turn pattern to make sure that students get it. Students are rotated from partner to partner so that everyone can get a chance to work everyone else. When a 2nd pattern is taught, it normally is designed to flow right after the first patten. This way, the more advanced students are challenged with a larger combination, while the lesser advanced students can still practice the material taught to them as two separate turn patterns. You can tell that Vitticos students are into his turns because they can seen practicing them very enthusiastically after class. Vittico's Style in a nutshell: The review above was written 10
years ago, a testament to Vittico's long experience as a New York
instructor. He has continued to develop and refine his teaching
and class methods. He is much respected in the mambo community for
his unique approach and authentic Latino style of dancing mambo.
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