GUIDELINES FOR "ON 2" MAMBO DJ'S

AND

LIST OF GOOD SALSA AND CHA CHA SONGS

See our List of Good Salsa Songs and our List of Good Cha Cha Songs.  Also see our Directory of Mambo DJs .

If you are a performer, see our section Making & Caring For Performance CDs.  This describes how to make a proper CD for performing to, how to care for it and how to deliver it to the DJ, so that the song plays all the way through and doesn't skip or stop playing and, thereby, ruin your performance routine.

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Here are some Guidelines for Mambo DJs.  These guidelines represent the opinions, criticisms and suggestions of several hundred On 2 mambo dancers and several mambo DJ's who I have spoken with over the many years I have been going to Latin clubs and mambo socials.  They represent a consensus of what kind of music selection and DJ technique works best for our way of dancing.  Let me emphasize:  These opinions only represent On 2 mambo dancers who go to an event and want to dance song after song.  They do not represent the opinions of On 2 dancers who only dance a few songs and spend the rest of the evening sitting around & talking or watching.  And they do not represent any other types of people at a salsa club or event such as dancers on other timings or non-dancers such as spectators, music listeners, socializers, bar flies, DJs, musicians, promoters, drinkers, critics or anyone else.  Only On 2 mambo dancers who dance a lot are being represented here.

On 2 mambo dancers usually prefer classic salsa music with a strong danceable rhythm.   The word "classic" does not mean "old";  it refers to a certain classic style of salsa music.  The rhythm structure is based on either the 2/3 or 3/2 son clave, and the sound is one very much associated with Puerto Rican or NewYorican bands, such as El Gran Combo & Tito Puente.  This is not to say that bands with other backgrounds or from other locations do not play songs that fit our way of dancing.  Some of our favorite dance songs come from bands whose roots are far from New York, but it is only when those songs have this "classic New York sound & rhythm" that they are compatible with our On 2 dance timing and style.  See History & Evolution of our Music.

We do not generally like to dance to what is called "Latin jazz" nor most of the salsa heard on pop Latin radio stations such as La Mega, salsa which is referred to as "pop", "commercial" or "romantica".  To give a better idea of the style of music we don't like to dance to, with a few exceptions most (though not all) of the songs of the following singers & bands would fall into this category: 

Brenda Starr, Luis Damon, DLG, Alex D'Castro, Adolescents Orchestra, Nino Segarra, Jerry Rivera, Michael Stuart, Isidro Infante, India, Johnny Rivera, Tito Rojas, Mark Anthony, Jennifer Lopez, Gloria Estefan, Giro, Luis Enrique, Rey Ruiz, Domingo Quinones, Eddie Santiago, Frankie Negron, Cano Estremera and others of this style.

While there are many DJs out there playing Latin music, unfortunately a lot of them play the more commercial "pop" or "radio" salsa along with merengue, bachata, rock en Español, Reggaeton and house music.  Some DJs destroy portions of the original songs by repeating or "looping" certain sections,  and by "mixing" two songs together at their ends & beginnings, all of which destroys the natural rhythm and count, and isn't conducive to our way of dancing.  Other DJs play a large percentage of salsa songs which have a different rhythm & sound style than what goes best with our On 2 timing & way of moving, such as "Cuban", charanga, Latin jazz salsa, salsa romantica, bomba, plena or antique salsa.

Guidelines For DJ's -  Here are some guidelines for DJ's if they want to please the majority of On 2 mambo social dancers:

1.  Play For The Dancers - Remember:  you are playing music for serious dancers to dance to.  We have worked very hard to learn this complicated dance to a very specific type of music, and that is what we come to pure mambo events for.  This is not music for general/casual club dancers, listeners only, people drinking at the bar, musicians, other DJ's who might be in the house, celebrities or celebrity watchers, folks at a pickup club, salsa dancers who dance in a different style, etc.  We dancers want to ask someone to dance, have a nice dance with them to music we know which has a clear beginning and end, finish the dance within a reasonable period of time, and not be bored by the same style or speed of music being played continuously for hours.  We are very specific about the music we want to dance to.  A successful DJ will excel in giving us this specific music.  A successful DJ will play music as if he/she were out there on the dance floor the way we dancers are.  Unlike everyone else in the club or social, including the so-called "Latin music experts" and the DJs themselves, we dancers spend hours & hours dancing to one song after another with different partners.  And more than anyone else, we know best what music goes with our way of dancing.  Some DJs make the mistake of playing music which we may not like but the DJ thinks he/she is going to "educate us" in what type of music we should dance to.  This is a mistake.  Play what we like, not what you think we ought to like.

2.  Leave The Song Alone -  NEVER "loop" or "mix" songs for dancers -  "Looping" is when a DJ repeats one part of a song over and over.  "Mixing" is when a DJ blends the ending section of one song with the beginning section of the next song.  These are absolute "no no's" to pure On 2 mambo dancers.  The reason is that we dance to an 8 count "dancer's measure" (actually two 4 beat measures put together), and the "looping" and "mixing" changes the count so that we end up being off timing.  Also, these manipulations of the music are unpredictable, so we cannot choreograph our dancing to the music.  "Looping" and "mixing" are DJ's toys, and they are very disrespectful to the the musicians' songs and destructive to how we On 2 mambo dancers dance.  Don't do it!  This issue has been strongly felt for years and has become a major prohibition, like the 11th Commandment:  "Thou Shalt Not Mix Salsa!".  Read the excellent article on this subject called "DJs Listen Up"  from www.UtahSalsa.com .

The one modification to a song that is very occasionally OK is slowing down a very fast song's tempo a little bit.  There are a few very fast salsa songs which are way too fast to dance to smoothly and attractively, but which do have an excellent dancer's rhythm and great melody line.  If a DJ has the technical equipment to slow down the song's tempo without changing the key, this may be done to bring the song's tempo down to a speed which makes it possible for us to dance to. 

3.  Let The Song End Completely - The musicians composed a specific ending to the song, and we dancers choreograph our movements to be timed to that ending.  We may even do a certain turn, shine or dip right at the end of the song.  We want a pause to allow for the feeling, key and rhythm of that song to emotionally complete itself before we start another song with a new partner.  To us, each song and each partner is unique, so we need a little pause between each song, perhaps 1 or 2 seconds, to make the emotional transition feel natural.  When DJs start another song instantly, or "mix" in the beginning of the next song with the ending of the last song, they destroy what the composer, musician and dancer are trying to do artistically.  Perhaps these DJ's no longer hear and appreciate how different each song is.  Perhaps all the songs are the same to them, so they just run all the songs together with no separating pause between them, as if it's all one song for the whole evening.  Obviously, these DJ's are not On 2 mambo dancers!

There are also times when we want to finish dancing with the particular partner we are with.  It may be because there's another person we want to dance with, or because we are not enjoying dancing with our current partner, and we want to finish as soon as possible.  When a DJ "mixes" the end of one song with the beginning of another, or doesn't put a short pause between songs, it doesn't give us a definite signal that the song is over and it makes it more difficult to "gracefully" stop dancing with this particular partner.  Some partners want to keep dancing, but we may want to stop.  Give us a clear break between songs.   

One of the reasons that commercial DJs may give for "mixing" when they move from one song to another, when they don't let the song end, is that they want to keep the dancers from leaving the floor.  By blending 2 songs together, they want to keep the dance floor full at all times.  These DJs do not understand our way of dancing.  We want to dance one song with one partner from beginning to end.  Then we want to stop dancing with that partner and start dancing with another partner who is standing on the edge of the dance floor.  Therefore, we have to stop dancing to the first song, walk to the edge of the floor, ask the next person to dance, walk back out onto the dance floor and then start dancing to the next song with a new partner.  We do not keep dancing to song after song with the same partner.  So we need the DJ to completely finish each song all the way to the final beat, give us a little pause, then start the next song, so we can move to our next partner.  DJs:  Please pay attention.  This is what we want!

4.  Give Us Classic Salsa Sound, Strong Dancer's Rhythm, And A Nice Melody Line -   We need all 3 of these features.  Some songs have great rhythm but no melody line.  What is melody?  It means we can sing or hum along with the tune while we're dancing.  Yes, we move to the rhythm, but don't forget that the melody and also the words provide the feeling and meaning to our dancing.  Most mambo dancers love it when one or both of the partners is singing along with the song while they're dancing, as if we're serenading each other.  So DJs, give us music with rhythm we can move to, and melody we can sing along with.

5.  Give Us Variety -  A good DJ should play a variety of salsa songs with that classic salsa sound , strong "dancer's rhythm", and a nice melody line, including slow, medium and fast, hard core percussive as well as somewhat lyrical and romantic, older and newer songs, etc.  A mambo dance crowd includes beginner, intermediate and advanced dancers, and they each have different taste in salsa music as well as varying ability.  Beginners cannot keep up with fast music and, surprisingly, some so-called advanced dancers loose their timing in slow songs.  So give us variety.  See our Song List for hundreds of suggestions.

6.  Give Us Diversity -  The DJ should provide a diversity, not get stuck in playing just one kind of salsa such as all fast songs, all old songs or all hard-core percussion songs.  And don't be afraid to play some of the more melodic, suave, modern, slower or "salsa romantica" songs, as long as they have a  strong "dancer's rhythm".  Here are some examples:  "Madre" by Melcochita.  "Ven" by Jose Bello.  "La Soledad" by Ismael Rivera.  "Perdoname" by Gilberto Santa Rosa.  "Cara De Nino" by Jerry Rivera.  "Cancion" by La Sonora Poncena.  "Me Dices Que Te Vas" by Miles Pena.  "Lady" by Orquesta Palabra.  "Sin Sentimientos" by Grupo Niche.  "Esperare A Que Decidas" by Tony Vega.  "El Manisero" by Willie Chirino.  "Apiadate De Mi" and "Solo Contigo" by Victor Manuel.  "La Fe Tiene Calentura" by Alfredo de la Fe.  "Mascarada" by Johnny Ray.  "Quiero Olvidarte Y No Puedo" by Erick.  "Tengo Una Copa De Vino" by Raulin Rosendo.  "Para Darte Fuego" by Frankie Ruiz.  "Thinking of You" by Lenny Kravitz.  "Marca Mi Numero" by Justo Betancourt.  "Mujer Celosa" by El Gran Combo.  These are only a few examples of the many classic medium or slow speed songs that are out there which are excellent to dance to.  With hundreds of great songs to choose from, there's no reason for a DJ to get stuck in a rut playing only one style of song.

7.  Expand The Selection -  Some DJ's feel that they should only play only fast hard-core percussive songs like those by Tito Puente.  But there are some very melodic and powerful songs by other artists that will make the dancers go wild.  Many DJs just focus on the rhythm, but they forget the melody.  Here are some examples of songs with beautiful melodies as well as strong dancer's rhythms:  "Fuego A La Jicotea" by Marvin Santiago.  "Mama Kyelele" by Ricardo Lemvo.  "Cinco A Diez" and "Besitos De Coco" by Azabache.  "Santo Domingo" and "El Curandero" by Raulin Rosendo.  "Qui Qui Qui Qui" by Andy Montanez.  "Y Eso Duele" by Gilberto Santa Rosa.  "Yay Boy" and "Ken Moussoul" by Africando.  "Si Tu No Vienes, No Bailas Conmigo" and "Si Te Busco En El Baile" by Edwin Bonilla.  "Rumbera" by Willie Chirino.  "Sonando" "La Guitarra" and "Tu Carino Se Me Va" by Erick.  "Etnia" by Grupo Niche.  "Chotorro" by Madera Fina.  "Que Me Lo Den En Vida", "Amparame", "Ponme El Alcolado Juana", "El Menu", "Mundy Baja" and "Azuquito P'al Cafe" by Gran Combo.  "Ahora Me Da Pena" by Henry Fiol.  There are many more.

8.  Songs Not Too Long -  The majority of songs should not be too long, usually 4 - 6 minutes, and only very rarely the longer 8 - 10 minute ones.  Our dance is pretty intense & complicated, so after 5 - 6 minutes we need a break;  we're getting tired and probably running out of turn patterns.  Also, there are so many wonderful partners available that we want a song to end so that we can dance with someone else.  And if we are stuck with a partner we don't enjoy dancing with, we don't want to have to dance longer than few minutes.  A long song can be hell with the wrong partner.

9.  Play Mostly Familiar Songs -  Most songs which the DJ plays should be known to the dancers, well known classics, because we plan how we dance based on our familiarity with the songs.  We may do certain turn patterns, shines, styling or dips at specific points in a song, or sing or hum along with the song almost as if we're serenading our partner, so we want to hear mostly songs we know.  Some DJ's feel they have to frequently play "something new" or the most recent songs from the radio.  That's a mistake.  Give us mostly what we know so that we can dance along with it.  This is not to say that a DJ should not play any new songs at all.  An occasional new song is fine, though it should be chosen carefully to be suitable for our dance.  That means it should have a good strong "dancer's rhythm" and it should not have repeated "clave changes".  Don't play something just because it's new.  DJs should remember that although they may be spinning many times per week for 5 - 6 hours, we are only dancing a couple of times per week for a couple hours.  So while a DJ may be getting bored with certain songs, we are not getting bored because we are not hearing those songs as often.  The DJ should play for us, not for him/her self.  Plus, there are virtually hundreds of wonderful classic salsa dance songs available.  Playing the latest songs (often given to DJs free by record companies) may be easier, but it is no excuse for not building up their collection of, and familiarity with, the great dance classics.  These songs are classics because they work well with our specific timing & style of dancing.  Finally, songs of a "Latin jazz" style should be kept to a minimum since they are more for listening rather than dancing in our specific way. 

10.  Don't Use A Computer With MP-3 Music Files - The sound quality of music from an MP-3 file does not sound as good as the same song played from a standard CD when using high-end sound equipment or professional DJ sound systems.  The range of the sound spectrum is not as broad nor as clean.  There is a predominance of midrange and higher sounds and the overall sound is more "flat", with less "depth" and richness.  Although MP-3 files, often downloaded from the internet, may sound similar to a CD when listening on a small device such as an IPOD or on a boom box or car radio, a comparison test on higher end and professional equipment shows a noticeable difference.  For a scientific test comparison, see http://www.stereophile.com/features/308mp3cd/ .  The reason for this lack of CD quality is that a regular 5 minute salsa song on a CD is approximately 50 megabytes of program material.  The same song compressed into an MP-3 format is only 5 megabytes.  That's 45 megabytes of the song's program data missing, and that missing information is what makes the sound quality worse with an MP-3.  Overall, the best quality sound comes from a standard CD.

11.  After A Performance, Play Medium Speed Familiar Classic Salsa Songs -  After a performance by dance groups or a band, most people want to get up and dance to salsa.  Often they have been standing still for the last 30 minutes or more and they are eager to start dancing.  The DJ should play several medium speed familiar classic salsa songs so that everyone can dance.  Many DJ's make the mistake of playing very fast salsa songs, or merengue, bachata or English music, after performances because they think people want a change.  This is a mistake.  Hopefully we have been inspired and excited by the salsa performances and we want to dance.  If the songs are too fast, or are not salsa, most people will not dance and will be frustrated.  So after performances, DJ's should play solid  medium speed salsa that is familiar to everyone, strong rhythmic classics in the style of  "Que Me Lo Den En Vida" by Gran Combo, "Mama Kyelele" by Ricardo Lemvo, "Ken Moussoul" by Africando, "Caravan" by Eddie Torres Mambo Kings Orchestra, "Un Poquito Más" by Jimmy Bosch, "Quiero Olvidarte Y No Puedo" by Erick, and others.

12.  Sound And Lighting -  And very important:  The volume should not be too loud.  Loud volume ruins the music and is harmful to the ears long-term (the damage is cumulative over the years).  To judge loudness, ask some dancers in the crowd who are at least in their 40's or more.  The DJ should step out into the center of the dance floor at least every hour to check the sound level and also balance of treble, midrange and bass.  The balance should be comfortable and not extreme, and especially the bass should be clear so that we can hear the rhythm, but it should not be excessive and "boomy".  Remember that some songs have more volume or bass than others in the recording, so be prepared to constantly adjust loudness & balance for each song if necessary.  Also, there should be adequate lighting, not too dim, so that we can't see our partners' hands for leading & following, and not too bright so that it ruins the mood or glares in our eyes.  There should absolutely be no flashing/strobe lights or spotlights panning around the room.

13.  Play A Few Cha Cha Songs -  We dance cha cha "breaking On 2" also.  Only certain cha cha songs are suitable for mambo dancers - see our list of Good Cha Cha Songs below.  Cha cha songs should be chosen based on having the right rhythm and tempo for dancers only.  While there are plenty of cha cha songs which are musically beautiful, many which are in a "Latin jazz" style with long instrumental breaks, they are not necessarily appropriate for dancing to.  As with salsa songs, good cha cha songs need to have a very definite strong dancer's rhythm.  They cannot be too fast because the 3 cha cha quick steps need to fit comfortably within the measure, and they cannot be too long because of the limited turn patterns available and the insufficient cha cha knowledge of most mambo dancers.  There should never be more than 2 cha cha songs in a row, nor more than approximately 2 - 3 per hour in a typical mambo party. 

14.  Skip The Band  -  Most On 2 mambo dancers are dancing to the music.  If the music fits our way of dancing, as described above, we're happy.  Whether that music comes from a DJ or a live band is irrelevant to how we dance and how much we enjoy the event.  When we are dancing, we are looking at our partners, not the DJ or band.  And after one good song, we want another one right away.  We do not want to listen to some second-rate song or announcer or bandleader talking for several minutes about nothing but nonsense.  So who needs a band?  From a dancer's point of view, a good DJ can beat a band almost anytime, because a good DJ can choose from hundreds of fantastic dance songs recorded by the world's best musicians.  But a band is always limited by its musical ability, its relatively small repertoire, its tendency to play songs longer than 5 - 6 minutes, and its limited ability to change songs based on the dancer's preferences hour by hour.  Most bands only have a few really great songs.  When they play a set, dancers are usually happy with only 1 or 2 songs, all the others are second-rate.  When we buy a band's CDs, again, there are usually only 1 or 2 good songs.  But a DJ can play 10, 15, 20 great songs in a row, chosen from the world's best bands.  How many bands can do that?

There are a few bands who can play an entire set of great dance music, maybe 5 in the whole world.  One of these is El Gran Combo from Puerto Rico.  Unfortunately, wherever they play it's so crowded that there's no room to dance.  So while the band is playing, we're being smashed into by other dancers and non-dancers (holding and spilling their Budweisers & martinis) on the floor.  And we're not looking at the band anyway, we're looking at our partners.  So it would be better to have a good DJ play a full hour of El Gran Combo music with a dance floor full of salseros, and let the non-dancers and bar flies nurse their drinks at some club down the street with a live band.

Another problem with live bands is that the songs are too long, to fast and too loud.  We want our songs to be about 5 minutes long because we want to change partners after that.  We want the majority of our dance songs to be medium speed.  And we don't want the volume so loud that our ears are hurting.  Live bands don't understand these dancer needs.  During live performances, bands play very long songs, sometimes more than 10 minutes, while the musicians stretch out on their solos.  They play fast uptempo music because that's what excites them, but it just exhausts the dancers.  And they play very loud because, frankly, they're probably deaf.

Here's a quote from Edie "The Salsa Freak" , international performer, instructor & founder of www.SalsaWeb.com , about having a band at a salsa dancer's event:

"To Have a Band or Not Have a Band?
Bands are important - but if you're a relatively small club, and especially one that's starting out, if the band isn't great, you're going to lose your shirt. People won't come back. If the band IS great, you're going to have to pay a lot, unless you work out some kind of package deal with them. Your safest bet is to just have a great DJ. I would say that 50% of the time, people get disappointed when the band comes on (I'm not kidding) because the DJ was playing such great stuff! Unless the band is just incredible, stick to the DJ.

Many many people have often wondered why clubs just don't try and play good 'ole DJ music. Sometimes it's just so much better. You don't HAVE TO HAVE a band every Salsa night. It's not necessary. Many people go for the bands, but more go for the dancing and social atmosphere. If the band is just too expensive, you can have one every other weekend. Please do not buy into the idea that "Oh, the Band is Everything"... It's important - but not as important as you may think. What's most important is the music, the floor, and the people."

Where To Buy Latin Music -  To find out where to buy CDs from stores & internet sellers with large Latin music collections, click on Where To Buy Latin Music .

What Dancers Look For In A Club -   Please also see "Attention Club Owners & Promoters:  What Dancers Look For In A Club", a very important article by Edie "The SalsaFreak", founder of www.SalsaWeb.com , www.SalsaFreak.com and www.DanceFreak.com , and international mambo performer & instructor.  Whether you are putting on an event in a club or studio, this article spells out how to please the dancers and how to get their business. 

See our list of recommended classic Salsa & Cha Cha Songs for On 2 mambo dancers.

Copyright © 2003 Steve Shaw

Other Articles By Steve Shaw "Doc Salsa":

How To Get More Partners - Overcoming Fear Of Dancing - Tough Talk

Definition of Dancing On 2 - Technique - How To Learn - The Music

How To Put On A Successful Salsa Dance Event

Cyber Interview Of Doc Salsa

The Story Of SalsaNewYork.com - How It Came About

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GOOD SALSA DANCE SONGS

These songs are all chosen from the point of view of the On 2 mambo dancer.  These are not DJ choices or musician choices or Latin music lover or webmaster choices;  these are strictly dancer choices, based on how people dance when these songs are played at a good time in the evening.  Unlike each of these other music listeners and experts, we dancers spend hours & hours dancing to one song after another with different partners.  More than anyone else, we know best what music goes well with our way of dancing.  Most of these songs will be well received at a New York/New Jersey On 2 mambo party although, obviously, in any given mambo crowd different dancers prefer different songs.  For those living outside the New York metropolitan area, these songs will give you some idea of what we love to dance to, and also the kind of music our style of On 2 dancing goes best to.  These songs should be played following the Guidelines For DJ's listed above. 

When I (Steve Shaw) DJ for salsa/mambo dancers, I take these songs with me, some of which I play based on the crowd at the moment.  See my DJ resume by clicking on "DJ Doc Salsa - Steve Shaw.  Certainly, this list is far from complete.  There are many other great salsa & cha cha dance songs, both old and new.  Over time, I will be adding more songs to this list.  To find out where to buy CDs from stores & internet sellers with large Latin music collections, click on Where To Buy Latin Music .  If you would like to find out which CD a particular song is from, see the excellent web site www.Descarga.com , where you can look up songs either by title or singer/band.  You can also purchase your CDs through this site and they will mail them anywhere in the world.  Also see online ComboRecords.com .  And you must know about New York City's best music store for Latin music:  Casa Latina.  They have a huge selection and tremendous knowledge about the music.  And they will mail you CDs anywhere in the U.S. and Puerto Rico.  Their web site is www.CasaLatinaMusic.com .

If you are a performer, see our section Making & Caring For Performance CDs.  This describes how to make a proper CD for performing to, how to care for it and how to deliver it to the DJ, so that the song plays all the way through and doesn't skip or stop playing and, thereby, ruin your performance routine.

Copyright © 2007 Steve Shaw.  All rights reserved.  Reprint this list only with written credit "Steve Shaw - www.SalsaNewYork.com ".

GOOD CHA CHA DANCE SONGS

Copyright © 2007 Steve Shaw.  All rights reserved.  Reprint this list only with written credit "Steve Shaw - www.SalsaNewYork.com ".

Abajo Y Ariba  -  Tito Puente
A Donde Vas  -  Tito Puente
Ahora Si  -  Ray Barretto
Al Romper La Aurora  -  Papaito
Apagame El Fuego  -  Lebron Brothers (slowed)
Aprieta El Pollo  -  Ray Barretto
Arrecotin Arrecotan  -  Ismael Rivera
Aye Que Rico  -  Eddie Palmieri
Ay Que Frio  -  Ocho
Azucare Y Bongo  -  Ricardo Ray
Baila Mi Son  -  Charanga 4
Besame Mama  -  Mongo Santamaria & Poncho Sanchez
Blues For Louie  -  Son Boricua
Bodacious Q  -  Poncho Sanchez
Bruca Manigua  -  Ray Barretto
Cafe  -  Eddie Palmieri
Carimbo  -  Ismael Rivera  (slow 6%)
Cayuco  -  Tito Puente (longer modern version - fade out)
Cha Cha Cha In Blue  -  Jose Curbelo
Chambique  -  Mongo Santamaria
Chanchullo  -  Tito Puente
Chin Chon Chow  -  Louie Ramirez  (slow 10%)
Chocolate Ice Cream  -  Eddie Palmieri
Cinderella  -  Poncho Sanchez
Cinturita  -  Eddie Palmieri
Cocinando  -  Ray Barretto
Cocinando Suave  -  Ray Barretto  (slowed)
Cocinando Un Son  -  Johnny Polanco
Como Ave Sin Rumbo  -  Luisito Carrion
Cuenta Bien  -  Edwin Bonilla
Cuidate Compay  -  Eddie Palmieri
Donna Lee  -  Manny Oquendo Y Conjunto Libre (start @ 1:24)
El Cayuco  -  Tito Puente (older short version)
El Pan Sobao  -  Charlie Palmieri
El Raton  -  Cheo Feliciano  (fade out after 5:00)
El Secreto  -  Henry Fiol  (progressive slow to 3.4%)
El Son De Santurce  -  El Gran Combo
El Tramposo  -  Joe Cuba
Escucha El Ritmo  -  Spanish Harlem Orchestra (progressive slow 1.2% - 4.4%)
Estaca De Guayacan (slowed down)  -  Marvin Santiago
Fania  -  Chamaco Ramirez  (slow 2%)
Funky Latin Boogaloo  -  Patricia Melecio
Grog Moin  -  Africando
Guayaba  -  Jose Curbelo
Guachi Guara  -  Jam Miami
Guajira En Azul  -  Cal Tjader & Eddie Palmieri
Guajira Soul  -  Tito Puente
Guantanamera  -  Charanga Cubana
Guayaba  -  Tito Puente
Juan Paqueton  -  Cortijo
Killer Joe  -  Jorge Dalto
La Coronela  -  El Gran Combo
La Muerte De Taca Taca  -  Fajardo Y Sus Estrellas
Leyte  -  Pete Escovedo
Llego La India (slowed down)   -  La India & Eddie Palmieri
Los Sitios Llaman  -  Tipica 73
Mami Me Gusto  -  Gabino Pampini
Mas Bajo  -  Tito Puente
Mata Siguaraya  -  Oscar D'Leon
Mazacote  -  Machito  (slow 6%)
Me & You Baby  -  Mongo Santamaria
Mi Chiquita Quiere  -  Papaito  (slowed)
Mi Negrita Me Espera  -  Ismael Rivera
Mira Ven Pa' Aca  -  Johnny Colon
Mi Sonsito  -  Eddie Palmieri
Misteriosa Mujer  -  Tommy Olivencia
Mofongo  -  Jovenes Del Barrio
Ndiabaane  -  Africando
No Sabia Bailar  -  George Guzman
Ode To Cachao  -  Tito Puente
Oriente  -  Henry Fiol
Oye Como Va  -  Carlos Santana
Oye Como Va  -  Tito Puente
Oye Tu Son Borinquen  -  Roberto Y Su Nuevo Montuno
Pa' Gozar  -  Eddie Torres Mambo Kings Orchestra
Pa' Huele  -  Estrellas Caiman
Poinciana  -  Cal Tjader & Eddie Palmieri
Point East Memories  -  Tito Puente
Que Cosas Tendran  -  El Gran Combo
Que Son Uno  -  Joe Cuba
Quitate Tu  -  Fania All Stars  (shorten)
Relax & Mambo  -  Machito
Sabor Sabor  -  Wayne Gorbea
Salchicha Con Huevos  -  Jimmy Sabater (long & short versions)
Salsa Y Bembe  -  Joe Cuba
Satelite  -  Ismael Rivera
Shining Knight  -  Willie Rosario  (progressive slow to 3.5%)
Si Las Nenas Me Dejan, Que  -  Eddie Palmieri
Sofrito   -  Mongo Santamaria
Sonando  -  Poncho Sanchez
Suave  -  Eddie Palmieri
Suave Cha  -  Poncho Sanchez
Subway Harry  -  Poncho Sanchez
Summertime  -  Ray Barretto
Telarana  -  Jose Curbelo
Tema Del Apollo  -  Eddie Palmieri
Tinguaro  -  Johnny Pacheco
Tu Bombon  -  Joe Cuba
Tumbaron La Veintiuna  -  Cuchon
Un Mensaje Para Brenda  -  Johnny Polanco
Ven Morena  -  Oscar D'Leon
Volver A Verte  -  Oscar D'Leon
Watermelon Man  -  Poncho Sanchez
Yerbero Moderno  -  Celia Cruz
Yo Soy Babaloo  -  Richie Ray & Bobby Cruz  (slow 11.3%)

Copyright © 2007 Steve Shaw.  All rights reserved.  Reprint this list only with written credit "Steve Shaw - www.SalsaNewYork.com ".
 

Other Articles By Steve Shaw "Doc Salsa":

How To Get More Partners - Overcoming Fear Of Dancing - Tough Talk

Definition of Dancing On 2 - Technique - How To Learn - The Music

How To Put On A Successful Salsa Dance Event

Cyber Interview Of Doc Salsa

The Story Of SalsaNewYork.com - How It Came About

Fellas, You Are Supposed To Make The Lady Look Good